eirsolutiononthesaringingsyllablethebestthatetisbyanobviousandtriuhanteffort,sotisphshefolloenatureasthatfroelodytohayorifyouprefertoretutothejuggler,beholdhioofthespeoreinterestinginitself
yetitstnotbethoughtthatverseissilyanaddition;sothingislostasethinggained;andtherereinsplainlytraoredelithepagesofthesabidexter;letustake,forinstananner,andsetitsidebysideparethebeautifulprosespokenthroughoutbyrosalindandorlando;pare,forexale,thefirstspee,thesaplay,orevensuporal,takefrohoseeritsofproseareinferior,buttheyarenotthesitisalittlekingdobutanindependent
3rhythfthephrasesoely;butelyphraseinallidealandterialpoints,literature,beingarepresentativeart,stlookforanalogiestopaintingandthelike;butinporalart,itstseekforthensiusipossibletolaydoiingjenkinis,hoedtodesbicfeet,andtobefilledhpainandnfusionhenscientiousschoolboy,ionputinpractice
allnightthedreadlessangelunpursued,2
goestheschoolboy;butthoughrjenkinsoeasilypleased,andreadilydisveredthattheheroiclinensistsoffourgroups,or,ifyoupreferthephrase,ntainsfourpauses:
allnightthedreadlessangelunpursued
fourgroups,eaphibraphibsperetic,theverseisdeatthesatitoreadinfivesandtoreadinfours
butagain,fourisnotneproseresidesintheparativeshortnessofthegroup;butitisevenntofindversesofthreefiveistheoneforbiddennuer;beonandkesobraveanarakingifbutsoronhadesrtial,forebyoniuarentuforaentofthebestofhunverses
but,again,thefivefeetarealliaiereuntofsyllablesthefourgroupsbirequirestobeso;andiathesingularbeautyoftheverseanalysedaboveisdue,sofarasanalysisbibiit
athens,theeyeofgreece,therofarts,3
is,b,iteasuretotheearbutbegin
therathens,eyeofgreece,
orrelytherathens,andthegaisup,forthetrochaicbeathasbeensuggest
